Wednesday, January 30, 2019

THE ENCHANTING GHOST (Hong Kong 1970) dir: Chou Hsu-Chiang

Original HK poster (from HKMDB)
I've just watched the Shaw Brothers horror film THE ENCHANTING GHOST from 1970. Today's Netflix audiences would probably moan and feel faint due to the lack of gore, torture, jump scares and special effects - but I loved it.
 
It's a Chinese costume drama about a young male scholar (played by Yang Li-Hua, incidentally a lovely young woman) who loses her home due to her wicked uncle and thus has to move into an abandoned, haunted ruin outside of town. The setting is very much like that of A CHINESE GHOST STORY (1987). 

The young scholar discovers that a young, beautiful woman (Chang Mei-Yao) has already moved into the haunted house with her dying mother. The scenes in and around the house all look to be made on a stage and they're very colourful. I love the fact that you can see it's a stage. I love the colours and the crisp dialogue. I love the Chinese music in the film and the superb acting. Was I scared? No, not at all. But then again what does scare a seasoned horror fan?

Celestial put out the film a decade ago but for some reason they decided to only include it in their video-cd line. However, it was later release on DVD by Zoke Culture over in mainland China. I've got both releases and they look wonderful. However, 88 Films in the UK have recently put out a spiffy blu-ray release of the film (which I haven't got).
HK video-cd (Celestial) Mandarin audio/English & Chinese subs

I tried to look up the film in my HK film books but none of them include the film. This - and the fact that I have never come across any other release in any format - makes me suspect Celestial's VCD is the very first home cinema release of the film. 

Before watching the THE ENCHANTING GHOST and before writing this review I hadn't read one single review of the film. I have absolutely no idea of what other fans or reviewers think about it. But then again, I couldn't care less. I loved the film and I highly recommend it to fans of world-weird cinema/horror and open minded film-goers in general.

Mainland China DVD (Zoke) Mandarin audio/English & Chinese subs

UK DVD & blu-ray (88 Films) Mandarin/English subs

THE ENCHANTING GHOST on HKMDB:


TRAILER:
 



Wednesday, January 23, 2019

STRYKER (Cirio H. Santiago, US/Philippines 1983) blu-ray/Kino Lorber

I'm just about to post about a new(ish) cool blu-ray release of one of Cirio H. Santiago's MAD MAX II clone flicks, and it occurs to me that it's been almost four years since I posted about Santiago's most recent post-apocalypse film, WATER WARS. A film which also, unfortunately, became Santiago's last film before he passed away. He didn't even finish the film shoot and Jim Wynorski had to take over directing the remaining part (go here for my old post).


During the three and a half years between then and now we have been blessed with a good number of blu-ray releases of cool Cirio H. Santiago US/Filipino coproductions filmed in the Philippines. Code Red have put out a handful of these films (cheers, Bill Olsen, you madman!) but the film I'm posting about here is from the good people at Kino Lorber (USA). STRYKER from 1983.

MAD MAX came out in 1979 but it's not really a post-apocalypse film, and it wasn't until 1981 that the genre took off as we know it thanks to MAD MAX II (which the American distributor retitled "The Road Warrior" to hide that it was a sequel to a film released by another label). When the Italians saw how popular MM II became they were quick to jump on the bandwagon and put out their own "MAD MAX" films (plural!) in 1982. And over in the Philippines Cirio H. Santiago thought, "Hey, I can do that!" and so in 1983 he made STRYKER! And just like the Italians made not just one clone but a whole series of MAD MAX clones, Santiago followed STRYKER with no less than six Filipino MAD MAX clones (knock-offs, rip-offs, call 'em what you want); RAIDERS OF THE SUN, DUNE WARRIORS, WHEELS OF FIRE, THE SISTERHOOD, EQUALIZER 2000 and WATER WARS (working title: "Road Raiders").

EDIT: I forgot one of Cirio H. Santiago's post-apocalypse films; He didn't do six other films but seven!! (eight in total). The last one is FUTURE HUNTERS. I urge you to read Andrew Leavold's incisive and info filled review here.


PLOT: We're in the wasteland. A narrator (in an Aussie accent, of course) informs us about the end of the world as we know it. Or rather knew it. It went into the toilet long ago and now the most precious thing is petrol, uh, I mean water!

When the film kicks off a gang of lowlifes are chasing after a young woman in the sand dunes - where she kinda lives (?). They want her ... water! She's then rescued by two good guys which both just happened to drive past. One of the guys is our main character and hero, Stryker, played by Steve Sandor. Sandor was once a bad guy in the cool exploitation flick BONNIE'S KIDS (1972) and he was also in heaps of psychotronic stuff on TV. Very odd to think of when you watch STRYKER; The thing is Sandor has the charisma and facial expressions of a tree log.

I'm not going to bother going into more detail of the plot line. Santiago wrote it on the back of a half burnt matchbox and I've already said more than what was on said box of matches. There are some bad guys, some good guys, there are some sexy amazons (their leader was a playboy centrefold), they drive around, they fight, they take revenge, and they all wear Mad Max style clothes. And  Stryker is a loner. If you're familiar with Filipino cinema it won't surprise you when you see scenes of 20-25 dwarfs popping up out of the dunes to attack people. Those dwarfs were in so many films I've lost count. According to Andrew Leavold a lot of them worked at the same "dwarf restaurant" between making films. I'm not kidding you!

The film is probably made on the same budget that MAD MAX II spent on catering. On one day's worth of catering mind you. But kudos to Cirio and his inventive crew who made the cars, motorbikes, and other futuristic vehicles look so bloody cool.

I quite like STRYKER. It's a fun film. Some of the dialogue is slow and there's a couple of romantic scenes that are so schmaltzy you feel like you're gonna lose your lunch. Hahaha. 

If there's one thing I wish they had done differently it's to find another actor for the lead part. I dare you to find another actor in the film that has as few facial expressions as Steve Sandor. Even the Playboy centrefold has more!


THE BLU-RAY
If I wanted to watch the film before I got this new spiffy blu-ray release from Kino Lorber I had to dig out my old VHS tape from Greece. Worn, fullscreen and big Greek subtitles that cover a third of the screen. This new blu-ray (from 2017) is certainly a most welcome release (they also put out a dvd release). Unfortunately, in contradiction to say Code Red, Kino Lorber didn't bother to mention what source was used for the blu-ray. Was it a film negative, a 35mm print, a betamaster, or what? But in any case the print looks good. Slightly worn and the colours are kind of faint. But that's alright, it suits the film. There are a handful of trailers (for Santiago's other post-apocalypse films) and a commentary track by Jim Wynorski. The film has optional English subs. That's it!

Go here for a smashing interview Andrew Leavold did with Cirio H. Santiago in 2007.

Thursday, January 10, 2019

Wolves Don't Eat Meat AKA Kuwait Connection (Samir A. Khouri, Egypt 1973)

MONDO MACABRO'S ABANDONED WORLD-WEIRD PEARL
Here's a film you've never heard of. Or have forgotten you heard about. Or maybe you've heard of it but you've never seen if. Well, not unless you 1) watch world-weird cinema - and 2) don't limit your world-weird viewing to films that are being handed to you on a plate from the well-known labels.


In 2008 Mondo Macabro was planning to put out a weird and wild Egyptian film from 1973 that has gory violence and nudity. Pete Tombs of Mondo Macabro described it this way in an interview to "Cinema Strikes Back":

"We've also got this Egyptian exploitation film. Yeah, we've got a couple of Lebanese/Egyptian movies. They're pretty interesting, as if Jess Franco met Jean-Luc Godard, you know, with a lot of (boobs). The guy who made them worked in Italy, with people like Sergio Bergonzelli, so he had that kind of sleazy stuff, but he had a political side, and an intellectual arty side. And he liked filth, and sleaze, and naked girls. So you put that all together and it was the early 70s and you've got a pretty good package. Kuwait Connection, it's called. "Wolves Don't Eat Meat" is the other title."

Unfortunately, MM never released the film. Later Pete said (on Cinehound forum), "I spent a long time talking to the Khouri's about this one, but we couldn't get the materials sorted to our satisfaction. It's not a no, but more of a maybe, if and when."

But the film exists on Arabic dvd (a pretty good English/French friendly release actually) and the film is a world-weird blast. I wish MM or somebody else would put it out on blu-ray so it could finally get the love it deserves.

I realise my post is shit in regard to being a review so I urge you to check out Todd Stadtman's cool and informative review over at Die, Danger, Die, Die, Kill!  
(PS: and check out the 7 year old comments section!)

EN LEJEMORDER SER TILBAGE in cooperation with PSYCHOTRONIC BROADCASTING proudly presents ... SICKMAN



The music in the background is a quite scratched copy of the original vinyl LP of Jan Johansson's "Jazz på svenska".