Thursday, May 29, 2014
Anyhoo, I thought the film was fun while I watched it. To the vampire film purist there's heaps to criticise; Garlic doesn't work on vampires but holy water does. And although vampires are usually fairly strong compared to humans this female vampire is almost a full-on Superman and can stop a speeding car by letting it ram into her. But, hey, this is not the kind of film for the ardent vampire mythology cult member. This is a horror-comedy after all (but still, I'm too much of a purist to not be annoyed by shit like that, pmsl).
As I said, the film is fun for the one viewing but now a week later I really don't have much recollection of the film nor the plot. It didn't leave much of an impression. I bought the DVD second hand from Blockbuster's. If you've got time on your hands (and could be arsed) there's a commentary track on the disc by the director and a couple of the producers.
I watched THE CONJURING the other night. It's yet another horror movie about demon possession but since I rarely watch new stuff when it comes out I still haven't become bored with the demon/devil possession flicks; I think this is only the second of the new wave of possession films I've actually watched. LOL. And besides, I think this film is really good. It's well played and it's based on a real story (which always adds tension to these films, something that goes back all the way to THE EXORCIST).
When the film ran in Danish cinemas it was retitled "Nattens Dæmoner" (i.e. Demons of the Night) which may be a generic title but I wish more distributors would use Danish titles. 99% of the Danes wouldn't know what conjuring means. Needless to say, the dvd label reverted the title back to English when they put out the DVD. :/
...I might as well start blogging again. Always go against the stream.
I watched the new horror movie THE CONJURING last night ("new" on this here blog anyway cos most of the shit I watch is arse old) and it was a blast! Loved it! Here's a totally cool track that was played in the middle of the film. I didn't think it fitted the film, actually I felt it totally ruined the stimmung but the track on its own is wonderful! The song is called "In the Room Where You Sleep" and it's by a band called Dead Man's Bones - and get this, the singer is Ryan Gosling. o_O
Not fucking kidding!!
From the band's own YouTube channel:
PS: no, I'm not being literal but it's a good headline. :P
Monday, May 19, 2014
Unfortunately, I've learnt today that Indonesian film director extraordinaire ARIZAL passed away this morning. He was 71.
Arizal was an important film director to anybody who loves wild no-holds-barred world-weird action films.
He made tons of films that never made it to international shores but some of his well known films ("well known" to fans like us anyway) that were released on VHS in English dubbed form are: SPECIAL SILENCERS, FINAL SCORE, THE INTRUDER (aka Rambu), STABILIZER, and LETHAL HUNTER.
Here's an article by EVIETA FADJAR about his passing from the Indonesian online newspaper Tempo.co. I translated it with Google so don't expect a proper translation nor proper grammar. My Indonesian readers (yes, I have some) can check the original version at the bottom of the page, or you can check the original newspaper post here.
TEMPO.CO , Jakarta - Directed by Arizal , 71 years , died on May 18, 2014 at 11:00 pm . Men born Indragiri Hulu Indonesia is known as a director who is able to make films and soap operas from a variety of genres .
He has been the director of high school and Gita Love Puspa Indah Taman Hati starring Rano Karno and Yessy Gusman . Arizal also made films starring Warkop humor and became the best-selling films in the 1980s and 1990s .
After graduating from high school in New Week , Arizal continuing higher education at the University of Indonesia and then West Coast Institute of Management & Technology , Perth , Australia .
Arizal also known as a journalist . He began his career as a caricaturist in magazines Selecta . He later he joined the editorial staff at the magazine Mayapada and Panorama .
Film career began when he became assistant artistic Walt Disney cartoon at Universal Studios , Los Angeles , United States . After that in 1971 he became an assistant director on the film Hell to the chase .
In 1974 he was appointed as director of children's film Smiles and Tears . This film won the Citra award as best children's film . In the late 1970s , he made many dramatic movies .
The film Arizal , Gita Love from high school and Puspa Indah Taman Hati be one much-loved film community . In the 1980s , Arizal also working on comedies . Together Warkop group , Arizal successfully made films humor when it has not been appearing .
Some films such as smart - smart comedy Dumb and Forward Backward Kena Kena become the best-selling movie in Indonesia . Thanks to his success in comedy , director Arizal be one of the most expensive in Indonesia . His ability to make films in various genres , such as drama , comedy , and action , the lifting popularity.
In soap operas or glass screen , working Arizal Because of PT Multivision Plus in 1992-1993 with Lydia Kandouw player , Jimmy Gideon , Gideon Zion , Pitrajaya Burnama and Nani Wijaya . Then , the soap opera nonsense of PT Multivision Plus in 1993-1995 with players Nurul Arifin , Rudy Regards , Kiki Fatmala and Fuad Alkhar .
He also directed soap operas and Jun Jin from PT Multivision in 1996-2001 with players Syahrul Gunawan , Mira Asmara , Misye Arsita , Baraja and M. Fuad Amin . There are also soap operas and Miss Yul Toyol in 1997-2002 with 270 episodes Onny players all, being Slamet Joyo and Dominiq Sanda .
He also made a television commercial for Unilever soap Lux 1978 Citra Jakarta Traffic with Widyawati models . In addition, the Arizal also known as the author of the song . His work is Unread You Goda - Ernie Djohan , 1967, Why - Alfian in 1967 , the song Smiles and Tears , starring Rano Karno , 1974, the song in the movie as sincere Heart , starring Elly Tanty Yosepha & S in 1975 and the song Main Movie , starring Benjamin S in 1975.
ORIGINAL VERSION OF THE ARTICLE IN INDONESIAN:
TEMPO.CO, Jakarta - Sutradara Arizal, 71 tahun, meninggal pada 18 Mei 2014 pukul 11.00 Wib. Pria kelahiran Indragiri Hulu ini dikenal sebagai sutradara Indonesia yang mampu membuat film dan sinetron dari berbagai genre.
Ia pernah menjadi sutradara Gita Cinta dari SMA dan Puspa Indah Taman Hati yang dibintangi Rano Karno dan Yessy Gusman. Arizal juga membuat film-film humor yang dibintangi oleh Warkop dan menjadi film-film laris di tahun 1980-an dan 1990-an.
Setelah menamatkan SMA di Pekan Baru, Arizal melanjutkan pendidikan tingginya di Fakultas Ekonomi Universitas Indonesia dan kemudian West Coast Institute of Management & Technology, Perth, Australia.
Arizal juga dikenal sebagai wartawan. Ia memulai kariernya sebagai karikaturis di majalah Selecta. Ia kemudian ia bergabung menjadi staf redaksi di majalah Mayapada dan Panorama.
Kariernya di dunia film dimulai ketika ia menjadi asisten artistik kartun Walt Disney di Universal Studio, Los Angeles, Amerika Serikat. Setelah itu pada 1971 ia menjadi asisten sutradara pada film Pengejaran ke Neraka.
Pada 1974 ia dipercaya menjadi sutradara film anak-anak Senyum dan Tangis. Film ini meraih penghargaan Piala Citra sebagai film anak-anak terbaik. Di akhir dekade 1970, ia banyak membuat film-film drama.
Film garapan Arizal, Gita Cinta dari SMA dan Puspa Indah Taman Hati menjadi salah satu film yang banyak digemari masyarakat. Pada tahun 1980-an, Arizal juga menggarap film-film komedi. Bersama kelompok Warkop, Arizal sukses membuat film-film humor yang ketika itu belum banyak muncul.
Beberapa film komedinya seperti Pintar-pintar Bodoh dan Maju Kena Mundur Kena menjadi film terlaris di Indonesia. Berkat kesuksesannya dalam film komedi, Arizal menjadi salah satu sutradara termahal di Indonesia. Kemampuannya membuat film dalam berbagai genre, seperti drama, komedi, dan laga, semakin mengangkat popularitasnya.
Di sinetron atau layar Kaca, Arizal menggarap Gara-gara dari PT Multivision Plus pada 1992-1993 dengan pemain Lydia Kandouw, Jimmy Gideon, Sion Gideon, Pitrajaya Burnama dan Nani Wijaya. Lalu, sinetron Ada-ada Saja dari PT Multivision Plus pada 1993-1995 dengan pemain Nurul Arifin, Rudy Salam, Kiki Fatmala dan Fuad Alkhar.
Dia juga menyutradarai sinetron Jin dan Jun dari PT Multivision pada 1996-2001 dengan pemain Syahrul Gunawan, Mira Asmara, Misye Arsita, Fuad Baraja dan M. Amin. Ada juga sinetron Tuyul dan Mbak Yul pada 1997-2002 sebanyak 270 episode dengan pemain Onny Syahrial, Slamet Joyo dan Dominiq Sanda.
Ia juga membuat iklan televisi sabun Lux untuk PT Unilever 1978 Jakarta Citra Lintas dengan model Widyawati. Selain itu, Arizal juga dikenal sebagai pengarang lagu. Karyanya adalah Usah Kau Goda-Emie Djohan 1967, Mengapa-Alfian 1967, lagu Senyum dan Tangis, dibintangi Rano Karno 1974, lagu di film Setulus Hatimu yang dibintangi Tanty Yosepha & Elly S pada 1975 dan lagu Main Film, dibintangi Benyamin S pada 1975
Almarhum disemayamkan di Perum Kranggan Permai, Jalan Borobudur, Jati Sampurna, Bekasi.
Sunday, May 4, 2014
I watched Werner Herzog's 2009 remake of Abel Ferrera's BAD LIEUTENANT from 1992 last night. The full title of the remake is THE BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS (but often just listed as Bad Lieutenant).
When I originally heard about how Herzog was going to remake Ferrera's masterpiece, and that Nicolas Cage had been chosen to redo Harvey Keitel's superb performance, I basically thought Hollywood had finally gone completely bonkers. I mean what the fuck, right? And for the very same reason I've kept off watching the bloody movie for years on end. Until last night that is.
The reason for my finally giving the movie a chance came after having read a review from a reviewer whose film opinion I hold in the highest regard. The review calls Nicolas Cage's performance the best since LEAVING LAS VEGAS. I don't usually watch Cage's films so I wouldn't know about that but suffice to say that Herzog's remake is bloody marvellous! I liked it a lot. Not one boring or slow moment. I already wanna watch it again.
It's been quite a few years since I watched the original film - and I've only watched it that one time - so I'm not even able to compare the two films. Incidentally, I rebought the original film the other day when I found a spiffy steelbook edition of it at the local Blockbuster's (yes, we still have those here!).
It was a deliberate choice on my part to watch the remake before I rewatch the original. I wanted to give it a chance on its own without having vivid images of the Abel Ferrera movie playing simultaneously in the back of my mind. The remake clocks in at the two hour mark almost but like I said it never overstays its welcome. Highly recommended!
I watched the Danish DVD which includes a long Werner Herzog interview and the trailer.