I recently posted about a Greta Thyssen interview that never took place (see post here). And I quoted from an interview that did take place. Unfortunately, the interview didn't talk much about Greta's role in Filipino films (hence her being of interest to this blog dedicated to obscure cinema). The bit about her role in TERROR IS A MAN was all I quoted. I did post a link to the full interview, but come to think of it, everything has a tendency of disappearing from Cyberspace, and I might as well copy-paste the full interview to this ol'e blog. So here you go, Greta Thyssen talking to Mark Voger/NJ Advance Media for NJ.com in 2010.
Three Stooges' final leading lady, Greta Thyssen
(Updated April 1, 2019. Posted June 18, 2010)
by Mark Voger/NJ Advance Media for NJ.com
Many distinctions dot the career of actress Greta Thyssen, a former Miss Denmark who once doubled for Marilyn Monroe. But one in particular is doted on by fans of the slapstick trio the Three Stooges.
Thyssen is the leading lady in the 190th -- and final -- Stooges short ever released.
In "Sappy Bullfighters" (1959), Thyssen performs classic bedroom farce with the boys. The blond beauty also tried to murder the Stooges in "Quiz Whizz" and teach them manners in "Pies and Guys" (both 1958).
In "Sappy Bullfighters" (1959), Thyssen performs classic bedroom farce with the boys. The blond beauty also tried to murder the Stooges in "Quiz Whizz" and teach them manners in "Pies and Guys" (both 1958).
All three Stooges shorts with Thyssen can be seen on the new DVD set "The Three Stooges Collection Volume Eight: 1955-1959." Thyssen, who is at work on a forthcoming blog, was reached at her New York home on Saturday.
Q: When you first came to Hollywood from Denmark, did you have jobs lined up?
A: I got, I think it was, a six-month contract with MGM, even though it was the end of their big moviemaking days. So they didn't really do anything with me, and allowed me to work outside. I got offers for certain things, and I did them.
Q: How was your English when you first came over?
A: Oh, I had an accent, I guess, yeah. I still have an accent. Sure.
Q: But was it tough learning scripts in another language?
A: No, not at all. It has nothing to do with accents. It has to do with what kind of memory you have. When I began to do summer stock, often people would say, "You don't have an accent when you speak the lines." It would go away many times. But of course, I've never gotten rid of it. I never even tried to get rid of it, which I should have done.
Q: You made your film debut in "Bus Stop" (1956), and you doubled for Marilyn Monroe. Did you get to know Marilyn a little?
A: Yes, I did. And that was a time when they were really hard on her. I felt so upset for her, because everybody was speaking behind her back.
Q: In "Terror is a Man" (1959), a neat horror film, you played the wife of Francis Lederer. How do you recall that experience?
A: Well, I had to go all the way to the Philippines, so I flew there. At that time, I was married, so it was a little hard. But it was fine. He (Lederer) was nice and charming. I had a good time. It was very warm, I remember.
Q: A DVD set is out containing the three shorts you filmed with the Three Stooges. In "Pies and Guys," you received a pie in the face, which some would deem an honor. How did you respond?
A: Actually, I totally have forgotten it, so I can't tell you what it felt like. I really have forgotten it. I probably didn't like it at all, I would think.
Q: How did you keep a straight face when the boys were wearing those ridiculous "Little Lord Fauntleroy" costumes?
A: Well, first of all, when you're an actress, you're not supposed to laugh in the middle of it. So I kept my cool.
Q: You towered over those guys, which made it funny. They were not tall men, and you were, or should I say are, a tall woman.
A: No, I'm not so tall any more (laughs).
Q: What kind of working chemistry did you have with the Stooges? Were they generous to you?
A: Well, they were fine, yes. But I wasn't that interested in it. I didn't quite understand that those kind of shorts would later be so admired and loved. I didn't know that at the time. I didn't know anything about it, really, to tell you the truth. I just was offered the job, because they wanted to start, again, doing "Stooges." So there was a new producer and it was a new time. I think the original ones -- weren't they in the '30s?
Q: Yes, they were.
A: Yeah. So this was new.
Q: Could you talk about the art of comedic timing? You were working with three great screen comedians, and holding your own.
A: Well, as an actress, you know instinctively what to do. And so that's what I did.
At the time of posting this, the original interview is still online here /Jack
-----------------------------------------------------------------------------------------
At the time of posting this, the original interview is still online here /Jack
-----------------------------------------------------------------------------------------
No comments:
Post a Comment